The editing functionality in Resolve is designed to handle TV dramas, commercials, multi-camera productions, and all other project types from the smallest to largest. This is the core of Resolve's color grading functionality, and there are hundreds of advanced features and capabilities in addition, such as grading from raw Files, automatic color matching, and 3D tracking. In all, you can combine grades, effects, mixers, keys, and plug-ins in any order to create limitless color effects and unique looks. Resolve is a node-based color grading system - nodes being similar layers - where each node can have color correction, isolated areas (power windows), and effects, and in which unlimited numbers of nodes can be joined together sequentially or in parallel.
#Davinci resolve vs color finesse software#
Your order provides you with a USB dongle that lets you use the software on as many computers as you want by inserting the dongle into the one you want to use at the time. It's completely scalable and resolution independent, so it can be used on set, in a small studio, or integrated into large production pipelines. Moreover, Resolve is highly sophisticated and oriented at the same time toward the individual user, large collaborative teams, and the growing studio owner. You can edit, color correct, finish, and deliver all from one system. But CF was still too crude to do that.Blackmagic Design DaVinci Resolve Studio is a renowned advanced color correction software and now also a full-fledged, non-linear editing system - it even allows to you to import projects from other NLEs, such as from Premiere Pro, as XML files. Strawberries need a different red, less saturation, and need to be softer, the schnitzel must be brighter and so sharp you see the breadcrumbus crumble. If the task was to squeeze the utmost beauty out of every shade and color, you can do this only with the precise tools of Resolve. You don't see the niceties, because they aren't shown. You quickly move the pucks and instantly see that it's approximating what you had in mind. If the task is to just generally enhance and stylize the images, staying in FCP X is way more effective. How can that be?ĮDIT: I can answer my own question. I made my own skin-warming and skin-smoothing effect in Motion (wedding videos ).Īt the end of the day, it takes me, say, three hours to grade everything in FCP X, compared to six hours in Resolve, roundtrip and render times not included. I make a freeze frame of the sequence's reference shot, connect it over the other clips and crop it, a makeshift wipe/splitscreen view like in Resolve. I save them as effect preset, skim over this preset's icon in the effects tab to preview them on other clips in realtime without having to apply them first.
Although the Color effect within FCP X is terribly sketchy with it's increments from 0-100%, I stack instances of it like a would nodes in Resolve. I learned FCP X's color board mainly through tutorials by Denver Riddle. It would be nice to see a collaboration between Denver and Apple in order to integrate color finale officially inside FCPX as part of the color tools (something like the lumetri tools inside premiere) It is still the best plugin available for fcpx. like the random disappear of the floating window and the buggy color pickers). So, it all depends on the type of project you are working, and not just in terms of budget.Īnyway Color Finale needs further development in order to reach Resolve (it doesn't have specialised curves, qualifiers and motion trackers, just to name few features), and also has some annoying bugs (some of those I guess related to the restriction given by the fxplug architecture and limitations. Color Finale instead is really good when building not so complex gradings, and obviously, lets you work inside FCPX. What I mean is that Resolve is a way more powerful tool (and has a smooth and faster workflow for color grading). IMHO Color Finale and Resolve are two complementary software.